Paula Vázquez Prieto

Paula Vázquez Prieto
Paula Vázquez Prieto's reviews only count toward the Tomatometer when published at the following Tomatometer-approved publication(s): La Nación (Argentina)

Movie Reviews Only

Rating T-Meter Title | Year Review
88% Jealous (Jalouse) (2017) Jealous works from a character that does not try to fall well, or believe that comedy needs it to get the laughs. [Full Review in Spanish]‐ La Nación (Argentina)
Read More | Posted Dec 13, 2018
97% The Heiresses (Las Herederas) (2019) The Heiresses combines the humor of his sharp social observations with the tenuous restlessness and the reborn sensuality that shakes inside Chela, suspended in a time when everything was easy, even love. [Full Review in Spanish]‐ La Nación (Argentina)
Read More | Posted Dec 13, 2018
16% The Possession of Hannah Grace (2018) Conflicts are resolved with untidiness and without tension, insistently repeating visual motives and neglecting the use of space, which was what they had best used until then. [Full Review in Spanish]‐ La Nación (Argentina)
Read More | Posted Dec 7, 2018
94% Our Little Sister (Umimachi Diary) (2016) Without resorting to great conflicts or excessive drama, Kore-eda turned the successive culinary rituals of these four sisters into magical territories of encounter, love and understanding. [Full Review in Spanish]‐ La Nación (Argentina)
Read More | Posted Dec 7, 2018
82% Instant Family (2018) What distinguishes Sean Anders's film is the use of irony, slapstick and the subversion of any monotone note in treating a very sensitive subject. [Full Review in Spanish]‐ La Nación (Argentina)
Read More | Posted Nov 29, 2018
100% The Bed (La cama) (2018) One of the merits of Lairana is how she places her trust in her cast and in the capacity of film to uncover the human emotions like no other art form can. [Full Review in Spanish]‐ La Nación (Argentina)
Read More | Posted Nov 26, 2018
90% Widows (2018) Despite some predictability in the portrait of political corruption, [McQueen] achieves several powerful and disturbing scenes, and sustains the route of intrigue in the solid performances. [Full Review in Spanish]‐ La Nación (Argentina)
Read More | Posted Nov 26, 2018
40% Hell Fest (2018) This box of tricks doesn't have neither the ingenuity of homage to the classics nor the critical ambition to reinvent the genre. [Full Review in Spanish]‐ La Nación (Argentina)
Read More | Posted Nov 15, 2018
32% Loving Pablo (2018) This mafia story without urbanity, is tinged with an overwhelming predictability, guided by an insistent and explanatory voice over, built on characters that are consumed in the same archetypes that inspire them. [Full Review in Spanish]‐ La Nación (Argentina)
Read More | Posted Nov 15, 2018
81% Overlord (2018) Here, the predictable does not stop being effective and the pulse of the story makes you experience it as the characters do. [Full Review in Spanish]‐ La Nación (Argentina)
Read More | Posted Nov 13, 2018
34% The Nutcracker and the Four Realms (2018) Conceived as another tale of princesses, Nutcracker and the Four Realms, does not stop transcending that corset of fable to think of itself as a story about time and its secret mechanisms. [Full Review in Spanish]‐ La Nación (Argentina)
Read More | Posted Nov 5, 2018
85% A Simple Favor (2018) Despite the unevenness of the film, we laughed a lot and all laughs justify any slips. [Full Review in Spanish]‐ La Nación (Argentina)
Read More | Posted Oct 26, 2018
68% Wildling (2018) Anna's journey from confinement to liberation is more complex when configured in the back of her big blue eyes, when the look she fears is the one on the other side of the bars. [Full Review in Spanish]‐ La Nación (Argentina)
Read More | Posted Oct 24, 2018
74% El Angel (El ángel) (2018) Perhaps here Ortega's gaze... makes that course of extravagant robberies and brutal murders exude to the eyes of the viewer the visceral combination of scandal and attraction that only the cinema and its immense screen can reach. [Full Review in Spanish]‐ La Nación (Argentina)
Read More | Posted Aug 9, 2018
89% Ravenous (Les affamés) (2018) The sound design complements the performances -something masterfully done by the recent A Quiet Place - which combines the plastic expression of interior fear with remarkable moments of unstoppable adrenaline. [Full Review in Spanish]‐ La Nación (Argentina)
Read More | Posted Aug 7, 2018
100% Wajib (2017) Without accentuating the drama or abandoning comedy altogether, [director Annemarie] Jacir manages to weave and unravel the pending accounts between father and son. [Full review in Spanish]‐ La Nación (Argentina)
Read More | Posted Jul 23, 2018
93% Stefan Zweig: Farewell to Europe (2017) The film could be thought of as an elegy in the form of letters sent from the cities that housed [Stefan Zweig] in America, from Buenos Aires to New York, until his final retreat in Brazil. [Full review in Spanish]‐ La Nación (Argentina)
Read More | Posted Jul 23, 2018
18% Be Afraid (2017) ... there is not much to expect from one of the last horror films of the year... [Full review in Spanish]‐ La Nación (Argentina)
Read More | Posted Dec 21, 2017
71% Happy Death Day (2017) [It's] simplicity and honesty are it's charm. [Full Review in Spanish] ‐ La Nación (Argentina)
Read More | Posted Dec 4, 2017
No Score Yet To the Desert (Al Desierto) (2017) [The film] relies on external impositions, rather than in the unfolding of a true web of complex and contradictory feelings. [Full Review in Spanish] ‐ La Nación (Argentina)
Read More | Posted Dec 4, 2017
91% Human Flow (2017) Far from the temptation of anecdotes, [Human Flow] is constructed as a mosaic of personal and community histories, with the strength of the a present that is forged every day before our eyes. [Full Review in Spanish]‐ La Nación (Argentina)
Read More | Posted Nov 27, 2017
No Score Yet Beyond Brotherhood (Mas Que Hermanos) (2017) The road to excess could have turned around and become a guilty pleasure. It doesn't even do that. [Full Review in Spanish]‐ La Nación (Argentina)
Read More | Posted Nov 14, 2017
83% Paula (2016) His great success is to show the despair of the misunderstood...A reflection of that state of internal anxiety that is only reached when everything seems lost. [Full Review in Spanish]‐ La Nación (Argentina)
Read More | Posted Nov 14, 2017
35% Jigsaw (2017) There's no possible mystery. [Full Review in Spanish]‐ La Nación (Argentina)
Read More | Posted Nov 3, 2017
93% School Life (2017) An unexpected humor that the camera captures with subtlety. [Full Review in Spanish] ‐ La Nación (Argentina)
Read More | Posted Nov 3, 2017
14% The Little Vampire 3D (2017) [A] flying cow is revealed as the best find. [Full Review in Spanish] ‐ La Nación (Argentina)
Read More | Posted Oct 31, 2017