The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
"Glass" is a movie so muddled and so meta that it not only seeks to remind you - implicitly, and every five minutes - how movies work, but it includes a character who explicitly comments upon the action.
The Sixth Sense, still his only great film, is also a therapy psychodrama, but whereas that ghost story reckoned with bedrock matters of loss and child abuse, Glass assumes that we're all going to lean in at dialogue about comic books.
For all of the endless blather about how comic books have the power to reveal all of our secret identities - one of Jackson's pronouncements about the power of narrative tropes veers close to making "Glass" feel like the "Life Itself" of superhero movies.
On a purely practical level, Glass is drawn-out and disjointed, with disparate plot threads (some of them leading to, yes, a perfunctory rug pull) that seem dictated more by its stars' availability than narrative cohesion.
Though satisfying enough to work at the multiplex, it doesn't erase memories of the ways that even movies before the abjectly awful After Earth and The Last Airbender made us wary of the words "a film by M. Night Shyamalan."